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dc.contributor.authorYang, Fengshien_US
dc.date.accessioned2018-08-08T15:11:26Z
dc.date.available2018-08-08T15:11:26Z
dc.date.issued1985
dc.identifier.urihttps://commons.lib.niu.edu/handle/10843/18183
dc.description.abstractThis composition is a stylistic amalgam of Western contemporary instrumental techniques, Chinese musical ideas, and extended vocal techniques. The overall idiom can be described as free atonality with quotations transcribed from traditional Chinese music. The instrumentalists are, at times, required to freely interpret (or improvise) certain graphically represented gestures. Texts used for the mixed chorus are taken from traditional Chinese percussion sounds.en_US
dc.format.extent1 score (26 pages)en_US
dc.publisherNorthern Illinois Universityen_US
dc.rightsNIU theses are protected by copyright. They may be viewed from Huskie Commons for any purpose, but reproduction or distribution in any format is prohibited without the written permission of the authors.en_US
dc.subject.lcshChoruses, Secular (Mixed voices, 4 parts) with instrumental ensemble--Scores.en_US
dc.titleUntitled : for three soloists and chorusen_US
dc.type.genreDissertation/Thesisen_US
dc.type.genreScoreen_US
dc.typeTexten_US
dc.contributor.departmentDepartment of Musicen_US
dc.description.degreeM. Mus. (Master of Music)en_US


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